MVQU meets Tuesdays at 12:30pm in Hollin Hall Senior Center, 1500 Shenandoah Road, Alexandria, VA 22308. For more information click here.

Friday, January 18, 2008

This & That

Dotty's Quilt Featured on Pat Sloan's Blog!

Go to http://patsloan.typepad.com/. Scroll down and on the left side of the page, under Quilts by YOU!, you will see Dotty Eisenhour's version of "Ma-Ma's Garden" which is from the "Wild & Free" applique workshop we had with Pat in September, 2007. Awesome!

"For Children's Sake"

Cathy Hanratty delivered the following quilts... just in time for Christmas!


A Thank You from Nancy M.

December 23, 2007

Dear Friends,

The little quilt you gave me really blew me a away. With it's outrageous and in-your-face colors, it will be my flag of defiance. It will go with me everywhere and when I need a hand to hold, you will all be there with me.

Thank you somehow seems inadequate,

Nancy

Vidcast of The Houston International Quilt Festival 2007

Joyce Keating came across this neat video of quilts at the Houston Show. You can link to it through Betsy True's blog, http://betsytruedesigns.blogspot.com/. Go to her Thursday, Dec. 06, 2007 entry, where she is talking about Bonnie McCaffery, and then click on Go to ALL VidCasts. Joyce says she recognized a few local people... Betsy, Kris Bishop and Cindi Souder.

Quilt Show Application Process

A Message from Rhonda
Good Morning Ladies,

Maryann, Joyce, and I attended the quilt collector’s meeting and I wanted to take a minute to update you on the application process for the 2008 Quilters Unlimited quilt show. The process is evolving and this year new procedures are being implemented which will change how we will be handling the submission of applications. The layout committee will be using a computer program to do the physical layout of the show, making what they need from us a bit different than in the past.

This year, your quilt must be “quilt show ready” when you submit your application. To be considered “quilt show ready,” your quilt must be completely finished with both sleeve and label attached with your name, chapter, quilt’s name, phone number (address optional) to the bottom right hand corner on back of quilt.

Please note that the quilt application included in the December 2007 QU Quarterly incorrectly stated that a 3” sleeve should be attached…it should read 4” sleeve by the width of your quilt attached--like we have done in the past. Instructions given in the QU Quarterly however are for the correct sleeve size. For more information, please visit http://www.quiltersunlimited.org/ and click on Newsletters and on page 6 you will find directions for making the correct size hanging sleeve.

New applications with correct information will be available soon and shared with you. In the meantime, please take the time now to review the current one and familiarize yourself with insurance and copyright issues.

Keep in mind, you may enter as many quilts, wearable clothing, or dolls as you would like. The number of items accepted is subject only to limitations on size and space available. At the time of your application submission, you will be asked to set the order of priority for the quilts you wish to enter in the show in the unlikely event there is not enough space. Any item excluded, due to space constraints, will not be excluded from inclusion at a future show.

Each quilt to be entered in this year’s show must be measured, your application reviewed, and digital photos taken by each chapter’s quilt collector.

The dates this year for Mt. Vernon’s entry submissions will be (please plan to attend one of these sessions):

January 22, 2008--11:30-12:15 and from 2:00-3:00, following our program

February 12, 2008--11:30 and following a brief business meeting until all of your quilts are measured and photographed.

The cut-off date for applications will be February 15, 2008.

The February 29, 2008 is an artificial deadline. It does not allow time for the completion of the application process by your quilt collectors. I won’t bore you with all the details with the reasons for the changes, but essentially your quilt collector will need time to have all photos developed, applications photocopied, and to prepare the electronic files and the logs needed by the layout committee no later than March 1, 2008—this all takes time. Your cooperation is greatly appreciated and we look forward to seeing all of your beautiful quilts.

Please contact me if you need to make alternate arrangements ASAP at 703-684-5906 or princessntlv@hotmail.com . For any members living out of town please contact me for the specifics of entering your quilts.

In short…plan to come to one of the two sessions with your entries and completed application forms—no need to take your own photos— and we’ll do the rest!

Thank you from your quilt collectors,
Rhonda, Joyce, and Maryanne


As quick review of constructing a hanging sleeve:
1. Cut piece of fabric 9” x width of quilt
2. Hem the 9” edges by turning each edge under ½” twice.
3. Fold fabric wrong sides together, the sleeve is now 4 ½” by width of quilt.
4. Stitch along raw edge of entire length of sleeve using ¼” seam allowance.
5. Baste ¼” seam along folded edge. Do not turn tube.
6. Refold tube so basted ¼” seam is the middle of tube on one side, raw edge is reverse side. Press.
7. Place raw edge seam against quilt back about 1” below top of quilt. Hand stitch both long edges of tube.
8. Remove basted seam. This fullness allows weight of quilt to hang on sleeve, not your quilt

Show & Tell, January 8, 2008

Photos taken by Kathy Edwards and captions by Rhonda Adams
Marjorie Parkyn has been busy "busting her stash" and made these first two quilts to donate to "For Childrens Sake"

Kay Brill shows off her completed "Wild and Free Applique" quilt from our September workshop with Pat Sloan

Carol Eberhardt, still commuting from upstate NY, says she travels light and showed off her crazy pieced handbag--it holds all she needs for those short hops
Mary Mazzuchi shares her mystery quilt from last year

Janet Betz and Rhonda smile for the camera as Janet shows her completed "lady bird" quilt that she purchased at the MVQU Silent Auction

Gail English proudly displays her hand quilted nine patch variation quilt. Beautiful!!

"Lost in MaMa's Garden"--Pat Alfredson shares her version of the Wild and Free Applique quilts started in our workshop with Pat Sloan...Stunning, Pat! It's no secret these colors are beyond Pat's comfort zone, but I think we can all agree, she did a fantastic job pulling it together.

Aby Dolinger shares a BOM quilt from JoAnn's Fabrics that kept her busy over the holidays

Aby gave this show stopper to her husband as a gift this Christmas. Lucky him, but that's one way to keep it in the family!

Kathy Edwards used an orphan block to create this beautiful wall hanging. Using her new "Be-dazzler" she added crystals to make it sparkle

Kathy Edwards finished this reverse applique with no batt and a white backing so that when it hangs near light, it gives the appearance of stained glass. What a great idea!

And last but not least, the Round Robin tops are finished!

Aby Dolinger's Civil War themed quilt is complete

Tammy Mannarino's Halloween themed top

Pat Alfredson's "First Signs of Spring"

Beverly Dasch's "Childhood Memories of the Loire Valley"

Anne Poulin's "Fall in the Rockies"

Wednesday, January 9, 2008

"Black & White" Challenge Quilts Revealed!

by Rhonda Adams
Congratulaions to all the "Little old ladies of Mt. Vernon" who took the 2007/2008 Black, White & ______ All Over challenge! Who could have expected all of these wonderful interpretations of our theme. The next time you are faced with a challenge and can't find that creative spark, try using some of the ideas below to spark the genius in you! Never say never...just push a little harder.

Creative Ideas for Creative Quiltmaking
by Kathryn Kistner

I was asked where I come up with ideas for quilts. Here are a few thoughts, which I am still working on...
  • I "sit" with my fabric, and let it talk to me. IT knows how it wants to spend the rest of its life. I just have to quietly listen. Sometimes a piece of fabric will "speak" to me in the store, with a "picture-in-my-mind" of itself as a finished quilt or quilt block.
  • Pick a "NON-QUILTING" MAGAZINE, like a tractor catalog, a recipe magazine, or a gardening magazine (it doesn't matter!). Tell yourself that the original idea MUST come from something you see in the magazine. NOT the WHOLE concept, necessarily, just that initial "push". Maybe it will be an advertisement in the magazine. (Scan the picture, and include it in your quilt or signature label.)
  • Pick a NON-QUILTING BOOK - a biography, a fiction, a history, a "how-to", or a horse-training manual (it doesn't matter!). Read the TITLES of the chapters, and let that spark your imagination. (In other words, you might "name" your quilt before you make it. You can change the name, later, if you wish.)
  • Pick a SEASON. (Draw from a hat, if you can't choose.) Express that season as a quilt.
  • Pick a SEASON, and REFUSE to use colors that are "traditional" for that season. (DO NOT use gold or brown for FALL.)
  • Interpret a SEASON and DO NOT use leaves, trees, flowers or block names that are "seasonal" in nature.
  • Pull 3 (or 4, or 5) color names from a hat, and use ONLY those colors in a quilt.
  • Pull 3 (or 4, or 5) color names from a hat and DO NOT use those colors in a quilt.
  • Pick a COLOR with a fancy name (blueberry swirl, katydid, deep lagoon, thistledown, etc. - look at paint chip names - look at lipstick names.) Interpret that fancy NAME as a quilt.
  • Use ONLY fabrics already in your stash.
  • Use one REALLY, REALLY GAG-UGLY fabric in your quilt, and do whatever it takes to make the quilt look BEAUTIFUL, EXOTIC, or ROMANTIC (you choose the POSITIVE trait).
  • Ask another person to pick out one fabric that MUST appear in your quilt.
  • Ask a child or other person what their favorite THING is. Whatever they say... use that in a quilt. You may "interpret" the item "generally" or "specifically", at your discretion. (If they say "Barbie", it can be "doll", or "fashion doll", or "BARBIE"..., or "dolls of the world", or "dolls from history"..., or "Oh, you beautiful doll", or "Hello, Dolly", or "I dropped my dolly in the dirt", or "all dolled up", etc.)
  • Pick a PERSON you admire (past or present, fictional, cartoon, historical or personal friend). List what you like about them, and express that as a quilt.
  • OR, ask yourself, "if they WERE a quilt", what would they look like? Expansive? Wild? Small and precise? Colorful? Subdued?
  • Find a favorite QUOTE (famous or otherwise). Express that WHOLE quote as a quilt.
  • Pick a period in history. 1500's. 1920's. Pre-history. Express the "feel" of the era.
  • Make a quilt that was popular during a certain period in history, or something that is cutting-edge that you have never tried before.
  • Make a quilt in a certain style (Baltimore Album, crazy, folk art, primitive, fussy-cut, etc.).
  • Take the letters of your first, middle and last name(s). Using those letters, scramble the letters to make new words. (You may or may not use all the letters - you decide.) Make a quilt based on those words that came from YOUR name.
  • Go to a Dictionary, Bible or classic literature book. Close your eyes. Open the book at random, and point to a word or phrase. Interpret that word meaning or phrase as a quilt.
  • Pick a word, and write down words that rhyme with it. Put all those rhyming words/images in the quilt. (Bat, brat, cat, drat, fat, flat, hat, mat, pat, rat, sat, scat, slat, spat, tat, vat, etc.)
  • Make a quilt based on the TITLE of a song.
  • Pick your favorite song, and interpret the feelings, thoughts, words, tempo, etc. as a quilt.
  • LISTEN to your favorite song, and see what ideas come up.
  • Pick your favorite animal, and incorporate it into a quilt.
  • Pick an endangered (or extinct) animal, and leave a lasting memory of its having been here on Earth.
  • Think of an ACTIVITY. Interpret, and quilt that. (Picking blueberries. Singing a song. Riding a bicycle. Missing the bus. Putting on pantyhose. Ice-skating.)
  • Pick a body part (feet, hands, nose) and express something profound, humorous, or educational.
  • Express your gratitude (in a quilt) for something that you usually take for granted.
  • Pick a profession. (Baker, taxi driver, dancer...)
  • Quilt a nursery rhyme. Don't use the words.
  • If you remember your dreams, use them as a creative spark. (I write mine down as soon as I wake up, or I forget - I keep a pad and pen by my bed.)
  • I attended a creativity seminar in 1971 by Mike Vance, who used to work for (or with) the Walt Disney Studios. The REASON Disney cartoons and movies are so wonderful, is because they use a concept called "Five-Sensing". They try to portray ALL FIVE SENSES as they tell their story. What do you SEE? What do you HEAR? What do you SMELL? What do you TASTE? What do you FEEL (emotional or tactile)? The more senses you involve, the more involved will be your audience. It works in movies, books, and songs. It works in a quilt, too.
  • OR, pick ONE SENSE. Pick a SMELL (a flower, bread baking, fish). Pick a TASTE (a lemon, peppermint stick). Pick a SIGHT/VISION(the Grand Canyon, "I SAW mommy kissing Santa Claus", "peace on Earth" (vision), eyeglasses - and things seen through them). Pick a SOUND (car horn, kitten mewing, silence). Pick things that you FEEL/FEELINGS - textures, weights, pressures, etc. (rough, silky, smothering).
When life gives you a challenge, go WAAAAAY beyond your wildest dreams, to spark your creative GENIUS!

Libby Dudley"s “What’s Black, White & Sipped All Over? Tea.”

What first fired Libby’s imagination was the pink fabric with ladies in hats in graceful, by-gone era poses. After considering many options, Libby settled on her theme; many types of tea (black, white, red, green and herbal) and some of the many places where they are sipped. Libby said that once she had the idea it was a quilt she had to make; the vision would not go away. It is her first true “art quilt” and admits that though it contains some imperfections and many lessons learned her satisfaction comes from having actually created her vision.


Dotty Eisenhour's “What’s Black, White & Fans All Over?"
Dotty created a doll size quilt using the fabrics from her grab bag. Her Asian inspired fabric forms the center of the fans allowing her collection of black and white blades to “pop”. Her pieced border is the perfect ending.
Mary Stauss' “What’s Black, White & Mardi Gras All Over?”
Mary shared the making of her challenge with a good friend on a visit to Florida. What fun they must have had choosing all of the embellishments—including strands of purple, green and gold beads and feathered masks and butterflies, making a yo-yo collar among the many others—what a show piece and great memories captured in friendship.

Marjorie Parkyn's “What’s Black White & Flying a Kite?”
Why it’s a lovely lady dressed to the nines on a spring day! Even though Margorie was the first to come up to me and tell me she hated her fabrics and wanted to trade them in, she willing took them home and “rose to the challenge”. Marjorie used the embellishments found in her bag to create the kite string and the green feather boa around her ladies neck. Marjorie—now be honest, those fabrics weren’t so bad after all were they?
Kathy Edwards' “Lost in Black & White”
Kathy’s quilt doubled as a homework assignment from Art Quilts 101…a class taught by Cyndi Souder and for our chapter’s challenge. “This is the first circular quilt I’ve made and the second in my Art Quilt series “Lost”.
Rhonda Adams' “Be the Change… What’s Black, White with Inspiration All Over?"

That’s how Rhonda described her quilt tying it into her mantra of “going green”. With a myriad of new techniques to try out this challenge was an open slate on which to experiment with them. Even she admitted working one of the fabrics into the quilt was more difficult than expected.

Frankie Carroll's “What’s Black, White & Butterflies All Over?”
I remember the day Frankie opened her grab bag—she was instantly inspired by all of her fabrics and it was then that her theme was chosen. Where did you find that perfect black and white butterfly fabric in your background? It’s a perfect choice.
Barbara Zygiel's “What’s Black, White & Scotties All Over?”
You have to get up close to Barbara’s designer doll dress to truly appreciate the fine workmanship and her attention to detail. Barbara used her grab bag fabrics to make the scarves around the necks of the Scotties that encircle the bottom of the dress. “It has a hanger and two sleeves” Barbara said as she showed her piece—very catchy!
Elizabeth Eastmond's “What’s Black, White & Catrina All over?”

Elizabeth received her grab bag in the mail—imagine her surprise. Deciding to "rise to the challenge," Elizabeth completed her quilt and sent it here all the way from Riverside, California just in time for the reveal. Fascinated by the Day of the Dead (Dia de los Muertos) celebrations in late October through to November 2nd, she decide to explore what she might put on her own altar to departed spirits. "As I age, I honor and mourn those things that are passed: time to waste, chances to achieve, hours in a day, an ability to multitask, raw desire, sufficient energy and boundless passion. Elegantly dressed Catrina, a reminder of Colonial Mexico, is as susceptible to death as any of us. So like Catrina, I plan to keep laughing to the end."
Carol Kunkle's “What’s Black White & Spilled All Over?”

Carol got a late start but pushed herself to finish, this, her first “art quilt” in time to meet the challenge deadline. Carol’s grab bag contained a square of fabric with coffee cups on it and her inspiration started there. She tipped the coffee cup and used her embellishments to simulate the spill—let it be a lesson to all--keep that cup of coffee far away from your quilts.

Aby Dolinger's “What’s Black, White & What Were the Rules Again?" or “A Whole Cart of Groceries in the 7 Items or Less Line”
Aby made us all laugh with her choice of title—indeed her quilt was larger than the suggested size for our challenge, but she used all of her grab bag fabrics in her friendship star blocks.

Barbara Tucker's “What’s Black, White & Tea Time?”
Look closely at Barbara’s teacups…notice they are made from fabric covered in clocks...Tea Time, how clever you are. Using embellishments found in her grab bag and adding some of her own, she was able to create perfect handles on each of her cups.
Anne Poulin's “Sheep Gone Wild”
Anne’s quit was inspired by a quilting weekend at the beach. “Ewe” captured the essence of true friendship Anne!

Beverly Dasch's What's Black & White & S. W. A. K. All Over?"
When Beverly opened her brown bag she thought, "YIKES!!" Right away she began looking around the room to see if anyone wanted to trade with her! At first she planned to make a piece using a traditional pattern… with mostly black & white fabrics and interject the challenge fabrics into it. Her “aha” moment came, though, when she recalled a gift she recently made for a friend who was moving away. It was "The Envelope" pattern given on the Simply Quilts television show, designed by Lynda Milligan and Nancy Smith. She couldn’t wait to get started! All the envelopes are in black and white fabrics... and when you open them you will find the challenge fabrics. Pretty tricky… huh!? Anything can go inside… notes, trinkets, treasures, secrets. Her friend’s quilt held recipes and “good-bye & good luck” messages from her old friends who would miss her. In the middle envelope of Beverly's challenge piece are pictures of her daughters, Emily and Catherine… the challenge embellishments decorate them. She's rather pleased with her little quilt and wonders which daughter is going to ask for it!
Tammy Mannarino's “What’s Black White & Round All Over?”

Tammy used lots of new techniques in her piece. “It was a challenge in the true sense of the word” says Tammy. “It was also a lot of fun."


Barbara Dove's “What’s Black, White & Jellyfish All Over?”
Barbara’s creative use of her fabrics and embellishments make these little guys seem quite friendly even though there are know to be quite dangerous in the open water. Look closely at the center of her slug—button, button, who’s got the button?
Mary Mazzuchi's “What’s Black, White & Seasons All Over?”
Mary used a rail fence graduating from light to dark as the perfect background to show off the four seasons in her quilt. Mary’s bushel of tomatoes, cut and appliqued from one of her fabrics, make the summer bounty look good enough to eat. And Mary, love that striped binding! You went above and beyond in your meeting a personal challenge.


Angela Miller's “What’s Black, White & Yo-Yo’ed All Over?”
Angie’s quilt is a table decoration with new styled heart-shaped yo-yos. She used a pattern for a wool penny piece she spied in a quilting magazine as her jumping off point.

MVQU members picked the following challenge quilt as the....

***Viewer's Choice Award***



Lynn Miller's “The Chase is On”
Lynn’s quilt shows Long, a Chinese Imperial Dragon chasing the Peal of Wisdom. Lynn’s dragon design comes from an art project she did with her twin 8 year old sons. Her piece is a combination of machine appliqué, machine piecing and machine quilting, but it is all the hand beading that makes this piece so stunning.
Photographs by Kathy Edwards

Thursday, January 3, 2008

Mount Vernon News
Quilters Unlimited
January 2008

Mount Vernon Chapter Officers 2007 – 2008
Co-Presidents—Cathy Hanratty and Beth Smith
Co-Vice Presidents—Joyce Keating and Rhonda Adams
Secretary—Dotty Eisenhour
Treasurer—Barbara Dove
Nominating Chair—Tammy Mannarino

Presidents’ Message
Now that the holidays are behind us we can look ahead to a brand new year of quilting fun. We are going to have a very busy 2008.

To start off the year we hope everyone will bring their completed “Black, White and _____All Over?” projects to the business meeting on January 8th. Then we will move on to the Winter Quilt-In on Sunday, January 13th at Falls Church High School and the “Sewing Circle” group begins to make items for the Silent Auction on Tuesday, January 15th. For more information on the group please talk to Pat Alfredson. At the end of the month Aby Dolinger will do a presentation and also talk more about the block exchange.

In February there is the 2nd Annual Mt. Vernon Retreat to Bird-In-Hand, PA. Before you know it March will be here with the Paula Nadelstern lecture and workshop. In April we will have a lecture and workshop by Barbara Olson.

Our New Year’s resolutions for 2008 include finishing some projects and relaxing. Let’s all take time to slow down and fondle the fabric!

Cathy & Beth

“It’s Not about the Quilts, Friendship and Signature Quilts” with Abigail Dolinger
On January 22, join fellow QU member, Aby Dolinger for her lecture and trunk showing of the friendship and signature quilts amassed from her many travels and vast love of quilting. Quilting for over nearly 30 years, Aby’s profession as a quilt teacher and quiltmaker has opened doors into communities and made for many new friendships while accompanying her husband, an Army Chaplain, on his many tours.
Historically speaking, there are two distinct types of autograph quilts “friendship quilts” and “sampler album quilts”. Although both carry on the same tradition of signed remembrances, they are quite different. Sampler album quilts are typically made up of several unique and often intricately pieced or appliqués blocks, while friendship quilts are usually made from blocks of the same pattern. Both bring to mind dear friends or relatives who have shown their love through a quilt, but they can also bring a touch of sadness as they are often made for those moving on to distant places, perhaps never to see those who signed them again.
And now, imagine what such a quilt like this might have meant to a woman in the 19th century.

FABRIC MEMORIES
Picture a woman, consider her life,
a century ago and more.
So many children needing her care,
each one dearly adored.
Days filled with work to be done;
Food to prepare, a garden to grow,
clothes washed with a rough scrub board,
evenings she’d mend and sew.
What an occasion a quilting would be,
gathered with family and friends.
Folks would be sharing neighborly talk,
news of beginnings and ends.
They might have been making a friendship quilt,
remembrances carefully signed,
for some would be moving to westward lands
while others stayed behind.
Sickness a danger to each precious child
while wartime took many a man.
Grief a recurrent part of her life;
hardships she must withstand.
Scraps of their clothing in a quilt
helped bring those cherished ones near.
Envision her touching each piece of cloth,
comforted over the years.

By, Judy Anne Breneman 2001
www.womenfolk.com

QU Quilt Show
The QU 2008 show is fast approaching! Remember our Chapter’s goal is to have more entries from Mt Vernon than last year. Each member of QU is entitled to enter a quilt in the show and usually there is room for several entries subject only to limitations on size and space. Remember all quilts will need to be completely finished with labels and hanging sleeves in order to be considered “Quilt Show Ready” (entry instructions and more information can be found in the latest QU Quarterly. http://www.quiltersunlimited.org/).

We will discuss the possibility of a group entry at the business meeting. Our options include; quilts from our workshop with Gyleen Fitzgerald, Diamonds are a Girls Best Friend, Wild and Free Appliqué with Pat Sloan and perhaps even our Black and White Challenge quilts. Please give consideration to which you prefer and add those finishing flourishes now.

Hospitality Reminder
The following ladies have graciously offered to bring refreshments for the January 8th business meeting: Beverly Krysa, Kay Brill, and Blanche Carpenter.

Calendar Events for January
January 8, 2008—Business Meeting/Show & Tell, 12:30, Hollin Hall Senior Center
January 13, 2008—QU Winter Quilt-In, 1-4pm, Falls Church High School, 7521 Jaguar Trail, Falls Church
January 15, 2008—Bee, 12:30, Room #216 Hollin Hall Senior Center
January 22, 2008—Aby Dolinger, "It's Not About the Quilts" Lecture and Trunk Show

Calendar Events for the Future
February 18-22, 2008—2nd Annual Mt. Vernon Retreat, Bird-in-Hand, PA
February 26, 2008—Lynda Poole Prioleau, "The Good, the Bad, and the Ugly"
March 4, 2008—Paula Nadelstern, “Symmetry & Surprise: The Kaleidoscope as Design Inspiration”
March 11, 2008—Paula Nadelstern “Needle Stars” Workshop
April 21, 2008—Barbara Olson Workshop (title to be announced)
April 22, 2008—Barbara Olson Lecture (title to be announced)
June 6-8, 2008—QU Show, Dulles Expo Center

Upcoming Quilt Shows and Exhibits
February 21-24, 2008—Mid-Atlantic Quilt Festival XIX at Hampton, VA (go to http://www.quiltfest.com/ for more information)

January Birthdays
January 1 Janet Betz
January 6 Elizabeth Eastmond
January 19 Ann Marlin
January 25 Nancy Burns
January 22 Patricia Sen
January 28 Joyce Nicholas
January 28 Dianne Tippins
January 31 Patti Turner

February Birthdays
February 3 Gigi Corbin
February 4 Marian Schwartz
February 5 Yvette Fallin
February 6 Catherine Marciano
February 11 Joyce Delaney
February 15 Margaret Chandler
February 16 Carolyn Conahan
February 17 Jeannie Schelleng
February 19 Marlene Perry
February 19 Mary Stauss
February 20 Anne Oliver
February 22 Joan Dwyer
February 28 Beverly Davison


Please submit items to Beverly Dasch, MVQU Newsletter Editor, at mvqu.news@gmail.com the first of every month.

Wednesday, January 2, 2008

January BOM (Blog of the Month)

Rhonda has sent the January block for the BOM: Super Scrappy Stash Buster.

January’s BOM — Block and Row #4

For Row 4 will need to cut 8 rectangles and fuse or appliqué using your favorite method the included flower onto four of the pieces. You may wish to use solid looking prints for your flower backgrounds and medium or large scale coordinating prints for the other four backgrounds because they will be left uncut. Vary your rectangles as you wish.

Let’s begin:
Cut 4 solid looking rectangles 8 x 9 1/2” high.
Cut 4 medium to large scale printed rectangles 8 x 9 1/2” high.

Print off pattern and appliqué the flowers onto four of your backgrounds. Be sure to leave enough space next to the edges of your rectangles as you apply your flowers to allow for seam allowances.

Sew the 8 rectangles together to form Row 4…you decide how your garden will grow. After completing this row, sew it below Row 3 and add the two-patch checkerboard made using sets C and D saved from last months BOM.

If flowers aren’t for you, be creative and design or use a favorite motif of your choosing—this is your quilt. Sun Bonnet Sue, ladybugs, airplanes or leaves would be great substitutes.

(click on the box to print from your computer)